Sunday, November 29, 2009

Excerpts

In keeping with the Acme Authors excerpt share going today, I have two excerpts to share with you. The first is from my upcoming release WILD WEDDING WEEKEND. It will be available April 23, 2010 from The Wild Rose Press.



“I really am sorry.” Abby's mind whirled. The thoughts tangled. The Noah she’d spent the last couple of days with wasn’t anything like the man she’d imagined him to be. The man even he claimed to be. Who was the real Noah?
She didn’t have time to ponder the question, because he took both her hands in his, drawing her attention back to him. “Know this. While we’re married. For this week, this trip, this asinine show, I am committed to you.” He paused and raised one hand to tuck a wisp of hair behind her ear. “Totally. Completely. Committed. To you.” With each word his voice and head lowered, until the last was a whisper against her lips.
His hand slid around to the back of her neck, then up into her hair, unfastening the clip and tossing it aside. He tangled his fingers in the strands that fell free, using enough force to keep her from pulling away as he deepened the kiss.
Abby had no thoughts of moving even the slightest bit away. She wrapped her arms around him as the tip of his tongue teased the fullness of her bottom lip. When she opened to him and he dipped inside, she almost melted from the instant flood of liquid heat that suffused her body. The warmth spread to her limbs and made her pliant as, his mouth never leaving hers, Noah lowered them both to the bed.



Then I'd like to share an excerpt from THIS CAN'T BE LOVE. This manuscript is currently under consideration with my editor at Wild Rose. It's a spin-off of THIS TIME FOR ALWAYS and features Zach as the hero. This is Zach and Jessica's first kiss.

They laughed together, then fell silent. Crickets chirped in the darkness. The scent of Zach’s aftershave drifted to her on the light breeze.
After a while, he turned toward her. “Do you?”
“Do I what? Like apple pie and ice cream?”
“No,” he said softly. His gaze dropped to her lips. “Do you kiss and tell?”
Jessica’s heart kicked into a fast rhythm and she caught her breath. “I…”
“Shhhh.” He leaned closer. “I won’t tell if you won’t,” he whispered before his mouth claimed hers.
His lips stroked over hers, not aggressively, but softly, tenderly. He didn’t touch her anywhere else, but brushed her mouth with gentle intent.
Her first instinct was to pull back, but something stirred deep inside her. A feeling she’d nearly forgotten. Whispery shivers danced along her nerve endings and fluttered in her stomach. Without meaning to, the action was purely a reflex, she opened to him.
The kiss deepened. Their breath mingled. Her palm slid up his chest, feeling the play of muscle beneath his shirt. she fisted the flannel of his open collar in her hand.
His knuckles grazed the sides of her face.
Her body tingled with awareness. Scattered thoughts flitted through her mind, but she couldn’t hold onto any of them. Not while Zach kissed her. Not when his mouth fitted so perfectly against hers. Not when the pulse racing at the base of his throat matched the cadence of her heartbeat.
She couldn’t remember the last time she’d felt like this. Had felt anything.
Should she be feeling this way about Zach?
Almost as if sensing her conflicting emotions, he softened the kiss, tenderly brushing his mouth over hers one last time.
She waged a silent war within, trying to calm her racing heart.
She still clutched his shirt. She relaxed her fingers one at a time, releasing the twisted fabric from her grasp. Finally she drew in a deep breath, then slowly let it out.
Her eyes found his.
Zach’s gaze searched hers, then he smiled. A smile as soft and tender as his kiss. He touched his finger to her lips, then rose. “Good night, Jess.”



Until next time,

Happy Reading!

Debra
www.debrastjohnromance.com

Friday, November 27, 2009

A Taste Of ...Rules of Fog by Robert W. Walker and Jerry Peterson

Today's Blog and Some Others to Follow are short stories and excerpts by ACME Authors. Jerry Peterson Is a fellow Five Star author of Early's Fall. This is a Dr. Jessica Coran, FBI ME short story Scene One…to read the entire short story visit me at http://www.robertwalkerbooks.com/ and thanks all --


R U L E S of F O G
by Robert W. Walker & Jerry Peterson
short story inspired by the fog and medical examiner Dr. Jessica Coran of the Instinct Series files

Dr. Jessica Coran lifted the lungs from the dead man’s chest cavity. As she did, she marveled at the shredded condition of the pair of sacks now like pizza dough without cohesion, threatening to slip through her gloved hands. The lungs, pockmarked with countless rents and tears where membrane walls had caved in, was the worst she’d seen in her twenty-five years of autopsying questionable deaths.

Jessica guessed that this one had chained smoked five, maybe six packs a day, the sort unfazed by the Camel Tax, undeterred by reason or facts or statistics. Jake Helspenny, the paperwork said, nickname’d “Smoke.” Coran guessed he’d lived in a perpetual fog of cigarette exhaust and carbon monoxide. He’d traded breath for addiction.

Her auburn hair tied back and tucked beneath a surgical cap, Jessica stowed away a fact that Smoke Helspenny’s lungs told her: he’d’ve been dead inside a year or two had nothing untoward happened. But what had happened?

The ex-marine had been found dead in Arlington National Cemetery, once General Robert E. Lee’s family homestead, confiscated by the US government as “payback” Lee’s having commanded the Southern armies in the War Between the States – Arlington, a cemetery consecrated to the dead of all wars, where heroes slumbered within sight of the tomb of the Unknowns.

Jessica examined Smoke’s liver. She concluded it had been in less peril than his lungs, but not by much. The man had been also been a heavy drinker. The organs never lie, she thought. The condition of a man’s organs at death stood testament to his life and frequently his character. Often the sum of the injuries a man did himself damn near outweighed the thing that killed him.

Jake Helspenny’s epitaph: He’d come out of the Marines a broken man, missing far more than his left leg, right hand, and a piece of his skull and brain from what his wife called “the incident” in Iraq.

Jessica had met the woman before she had begun the autopsy, had interviewed her – a buxom blonde, whose once pretty features sagged from forehead to jowls, telling the tale of a rough life alongside Smoke.

“All that Jake’d gone through in Iraq,” the woman – Katherine Helspenny – said, “tooth-to-nail fightin’, facing death every day, acceptin’ the death of buddies—brothers.”

An Arlington homicide detective – Kyle Jensen, in possession of his gold shield for less than a year – had been with the wife. He’d pushed Coran, the Commonwealth of Virginia’s medical examiner, to do the autopsy rather than assign it to one of her juniors. “Sounds like he was a good marine,” Jensen had said to Mrs. Helspenny.

“He was.” Katherine Helspenny dabbed at tears. “But Jake never got over being the only survivor in his squad. Had nightmares. . . . Now this.”

Jessica studied the woman. “Do you know anyone who’d want to harm your husband?”

“Not a soul, except Dooley.”

Jensen, a thin, wiry youngish George Carlin-type, swiveled. “Dooley, ma’am? You didn’t mention a Dooley before. Who’s he?”

“Went by the nickname Spider. It was always Smoke and Spider in their time in the Marines. . . . Dooley blamed Jake for walking out of ‘the incident’ that killed all the others.”

Jensen and Jessica exchanged looks of concern.

Katherine Helspenny pulled at a her wedding band, as if by habit, but it wouldn’t come off her pudgy finger. “Yes, Smoke’s so-called best friend, Dooley was.”

Jessica turned to Jensen. “Looks like you’ve got a lead. Find Mr. Dooley and you may well close your case.”

“Maybe?” the wife said. “What do you mean ‘maybe.’ Dooley hated Jake.”

“Enough to kill him, his old war buddy?” Jensen asked.

“That ‘buddy’ business was a long time ago. People change. Dooley sure did.”

“Devolve,” Jessica mumbled.

“De-what?”

Jensen put up a hand. “Never mind that, Mrs. Helspenny. Do you know where I can find this Dooley.”

“I’m not sure. Somewhere out in the cemetery, in the fog.”

“He’s not likely still out there.”

“Dooley wanders among the graves – reads the headstones, searching for men from his old outfit, the outfit Jake was in before ‘the incident.’”

Jessica motioned for Jensen to step aside with her. “Were you in the military?” she asked.

He shook his head.

“I’d go out to Quantico, get someone to pull up Dooley’s service record. That might get you a lead on where this guy ended up.”

A fourth person bustled in, a stubby little man named Roth – Mrs. Helspenny’s lawyer. Moments before, on seeing the corpses on gurneys parked in the autopsy room, Roth had run for the men’s room and retched. “Theopolis,” he said, picking up on the end of Jessica’s and Jensen’s conversation. He mopped at his face with a lavender handkerchief. “Theopolis Alexander Dooley is the man’s full name.”

“You’re sure?” Jessica asked, a slight smile tugging at the corners of her mouth.

“Abolutely.”

“Jensen,” she said, “there can’t be two with that name in the record dump. Your job just keeps getting easier.”

Roth wound himself up, to earn his fee. “This woman’s suffered long enough.” The lawyer waved a hand in the direction of Mrs. Helspenny. “Dr. Coran, I expect you to get on this autopsy right away, and I expect you to give it your top priority. Anything less and you can expect to see Mrs. H and me on the Today Show with Katie and Matt.”

Now it was Jensen who raised a hand. “Back off,” he said. “I’ve been told Dr. Coran doesn’t respond well to threats.”

“There are rules – protocol,” Jessica said, her hands braced on her ample hips.

“Rules?” Katherine Helspenny asked.

“This office’s policy book says we don’t autopsy a body unless there’s clear evidence of an unnatural death. The detective told me on the phone, before the three of you came here, that when he examined the deceased at the cemetery, there were no gunshots, no knife wounds, no signs of a struggle, nothing but a body slumped over a grave stone.”

Roth pushed into Jessica’s personal space, his face inches from her. “Mrs. H found her husband dead in Arlington cemetery. She’s convinced this Dooley character lured Jake there to kill him. That’s premeditation!”

“All right, the body’s here somewhere. I’m willing to do a preliminary, but if I don’t see any obvious indications of murder . . .” Jessica turned palms up, as if to say ‘that’s it.’

Roth’s face hardened. “We don’t want a preliminary, we want a complete autopsy, down to examining the man’s last whisker.” Roth tried a mock softening of his voice, adding, “Look, we were told you’re the best, and that you deal in unusual cases. This is an unusual case, doctor. The man was killed in the most famous cemetery on the planet.”

Which explains your interest in the case—potentially high profile, she thought but said, “Be that as it may, counselor, the Commonwealth doesn’t just start cutting on a corpse without some probable cause, some indication of foul play.”

Roth, angry, took to pacing like an Irish setter in heat, his long, flowing gray mane whipping about.

Jessica thought she’d won the argument, but then Mrs. Helspenny shouted, “You government types’re all alike! Took us forever to get the VA to deal with Jake’s depression, his panic attacks, the living pain in his stump, all of it. Maybe if you’d stepped in earlier – maybe he’d never’ve felt compelled to…to go out there to find Dooley.”

Roth placed an arm about the distressed wife and helped her into a seat. Jensen offered her a stack of napkins, and she began blowing her nose. The wife looked up at Jessica. “Took us even longer to get my Jake’s pension, and they give it out like it was some kinda fund he had no right to, like he didn’t have it comin’.”

Jessica held up both hands as if under attack. “Please, Mr. Roth, Mrs. Helspenny, let me put this as simply as I can. Until I’m satisfied that Mr. Helspenny died a questionable death, he stays on ice. I did take a quick look at him, and I’ didn’t find a mark on him to suggest murder.”

“But you have my word,” Mrs. Helspenny said.

“Alone that’s not enough, ma’am.”

“Rules is rules, huh?” The woman’s glare cut wounds in Jessica.

“To you, the rules may seem a bit absurd, but they are in place for a reason.”

“It’s protocol first,” Roth offered up, “before the wishes of the surviving spouse?”

“Procedure, yes.”

“So what you really need to do a full autopsy is a go-ahead.”

Jessica didn’t respond, and her silence only fueled Roth’s ego and tongue. “Well, by damn,” he said, his nostrils flaring wide, “I’ll get you your go-ahead. I know your superior.”

“Bully for you, counselor, so why don’t you just do that?”

“Good Lord, hasn’t anyone ever been murdered in a National Park before?” Mrs. Helspenny asked.

Jessica shrugged. “Many times. The most egregious are the young women and girls who go missing, their bodies are found in shallow graves.”

“Never happened in Arlington – ever,” Jensen said. “Hey, I looked it up on Google. No one in the history of the cemetery has ever mugged, raped, or murdered within its confines.”

“If Google says so, it must be true,” Jessica said. Google. She didn’t know whether to laugh at that one or cry.

Jensen went on, an enthusiasm building in the detective. “You see, I belong to a Confederate reenactment group. Relieves tension.”

“Playing soldier, no real consequences.”

“If by that you mean no one gets hurt – ”

“That’s what I mean,” Jessica said. “All the battlefield dead get up after it’s over and walk off to the nearest bar for lite Bud.”

“Well, it’s fun. How about you join me some weekend? You’d look great in the uniform.”

Ooo, was that a pass? A bit obvious. She frowned rather than smiled. “My interest is in the genuinely sincere dead, detective.”

“Ahhh…the authentic murder.”

“Besides, if I went to one of those things, I’d stand with the North.”

“You’d look just as good in a blue uniform.”

“OK, I’ll make myself clearer. I’m not interested in those who feign death. I’m too busy with the real thing, detective.”


Comments are Welcome...

Tuesday, November 24, 2009

Giving Thanks for the Gift of Writing by Morgan Mandel

Sometimes I get aggravated when I can't think of the words to say exactly what I want. Often, I wish I had more time to spend creating new worlds for others to enter.

I've faced discouragement, wondering if I can complete a manuscript, wondering if I have enough talent to whip it into shape, wondering if readers will like it after it's been released.

I've been plagued by worries about book covers, blurbs, reviews, and all sorts of other concerns, like how to tell others about what my books are about so they'll want to read them.

Despite all the scary or bad times, I still can't deny I love writing. Now that I'm hooked I can't conceive of ever doing without it.  Writing is a friend I can turn to through tough times. It's an escape from the real world into whereever my imagination will take me. When I write, at times I can express myself better than in person. It's an outlet for my emotions, be they happy, sad, envious, angry, or confused.

This Thanksgiving, I'm not only thankful for the blessingsof my family, my dog, my house, my friends, food on the table, a job, my relatively good health, but also for the joy of writing. I'm very lucky to have this wonderful gift. My life would have a big hole in it if I couldn't write any more.

If you're a writer, have you ever stopped to think about what a wonderful gift you have?

Monday, November 23, 2009

A London Adventure

I've returned from London, which was just as rainy as Chicago but slightly warmer. I found that just like Chicago, if you wait a few minutes the weather will change. We had one day with heavy rains, but other than that, it was very nice. But I digress, as we are not standing in an overcrowded ballroom being forced to make polite conversation about the weather, I will share the adventure.

Just to make it interesting, meet Lady Rosalind Reming from the historical romance I'm writing.

ME: Lady Rosalind, thank you for assisting me with my blog today.

LADY ROSALIND: Certainly, I am pleased to share what I can with your delightful readers. Having lived most of my life in London, except for rusticating in the country for the summer, I am sure I can share some delightful insight into a few spots our author has encountered.

Buckingham Palace


Buckingham Palace, which I know as Buckingham House, is the home of the current Queen, Queen Elizabeth II. Although I am not familiar with this woman, as King George III is the current monarch and Prinny (the Prince of Wales) lives at Carlton House It does appear that this Elizabeth takes great care of the place. Everything is so shiny.

This lovely monument sits across from the palace and is honoring another great monarch I do not know, a Queen Victoria. Although this is the first I have seen of the sculpture or heard of this Queen, I must say, it is truly marvelous and this Victoria is a lovely woman I am sure.

This serene setting is in the oldest Royal Park in London, St. James's Park.
To see the park in this light it is hard to imagine that, and this is just a bit of gossip, a certain Lord R was in this park creating a bit of scandal. However, being a victim of a vicious scandal myself, I am loath to repeat the details, at least just yet.

And now, I must part as my cousin Louisa is preparing for her come out ball and I, unfortunately, must participate in the grueling preparations. One would think I would enjoy the preparations, however spending any time in the presence of the ton is never pleasant for me. Even after six long years, they never forget.

ME: Thank you Lady Rosalind, and readers, I hope you enjoyed the first look at what is only the beginning of a wonderful adventure.
Thanks for reading,
June

http://www.junesproat.com/

Sunday, November 22, 2009

Experiences

So, this weekend was fabulous. It brought about the culmination of several things I've been looking forward to for a long time.

First, on Friday night, we celebrated my in-laws 50th wedding anniversary. We've been planning this for almost a year now, and the event was everything we wanted it to be and more. The night couldn't have been more prefect if we had scripted the entire thing.

Secondly, NEW MOON finally came out. The long awaited next installment in the Twilight saga hit theaters on Friday. If you've read my blog before, you are familiar with my obssession. My girlfriends and I went twice...yesterday. We hit a ten o'clock show in the morning and then an 8 o'clock show later that evening.

The movie was fantastic...again, the build up and hype definitely lived up to the real thing. But the two movie-watching experiences were very different. The morning showing had an atmosphere of excitment that was palpable. The viewers really got into the story...you could almost feel the tension, feel the emotion at certain times during the movie. The evening crowd however, was completely different. This crowd was made up of mostly teenagers, which made the experience an interesting one. There were screams and shouts when the wolf-pack stripped off their shirts. There was laughter during some of the more emotional scenes. The crowd had a very "Team Jacob" feel to it, which was "difficult" for those of us in the audience who are definitely and wholey committed to "Team Edward". I was really glad we had chosen the morning showing to be our first experience with seeing the movie.

But it got me to thinking. What goes on around us shapes the way we experience things. Watching a movie, reading a book, even creating a scrapbook. When I'm reading a book, if I'm out on the porch with a glass of lemonade on a hot July day, is my experience different than if I were curled up in front of the fire with a cup of hot tea in January? If I'm reading on a crowded plane, am I experiencing the book differently than if I were curled up in my recliner at home?

When I look through the scrapbooks I've created over the years, there are some pages that evoke not only the memory of the event being preserved, but the memory of where I was and who I was with when I created it. And music can really call to mind memories of times gone by.

Our experiences shape us. In writing, our characters have those life-changing experiences as well. It's up to us as the authors, to make those experiences as real and authentic as possible, perhaps even taking note from our own real-life experiences.

So, go out today, and experience something. You'll be glad you did!

Until next time,

Happy Reading!

Debra

www.debrastjohnromance.com

Saturday, November 21, 2009

Happy Thanksgiving by Margot Justes

Between scheduled events every weekend this month and working, November slipped by and seemed to disappear.

I do want to acknowledge an incredible holiday, one where at least this time of year we give thanks, and no matter how tough it is out there, we still have something to be thankful for.

I’ve been blessed with a loving family and great friends-friends I’ve kept for many years- decades, and new friends and acquaintances I’ve made since I started writing. My world has only gotten richer, and I’m thankful. I’m not cooking on Thursday, that tradition now belongs to my older daughter, but given the special holiday, we celebrate Thanksgiving on Saturday at our house as well.

On that note, I would like to wish everyone a truly happy and wonderful Thanksgiving!

Till next time,
Margot Justes
http://margotsmuse.blogspot.com
www.mjustes.com
A Hotel in Paris ISBN 978-1-59080-534-3

Friday, November 20, 2009

Writer's block - Real or Not? by Robert W. Walker



Psychiatry has weighed in on the question of creative blocks and have suggested that they have a beginning in the brain, while writers of poetry, story, and novel tell themselves they just need to get out of their own way and just write. We are at once crafting a story that must allow no wires or strings to show; we attempt to stay off stage, behind the curtain, but at times we see ourselves as did the Wizard at the pulleys and gears and we wonder if we may not simply be frauds at work. Then the doubts seep in like water through rock. It’s been done before by better men than me…TV and Film have eaten up and spit out every idea, so why bother? I can’t compete with CGI effects and CSI effects. Why bother. Who do you think you are anyway? Perhaps a man in need of a vacation, a swift kick, a well-meaning nag to thunder and rail at you at such moments? Some external force to challenge you? And if all fails? Are you left on that lonely street called Writers’ Block, and is there or isn’t there such a place?

Although it has been written about in newspapers and magazines, science journals, books on the creative geniuses of our species, books on inventors and sculptors, depicted in untold films and TV programs including Seinfeld, and although a scadfold of medical/psychological articles have been devoted to it along with entire books and a Woody Allen Play, and despite that it has its own Wikipedia page, and that Google has enough entries in it along with ten-step cures for it for hopelessly ‘blocked’ professional…in fact, enough entries to paper a writer’s walls, DOES this thing really exists…or is it all in our heads?

A great many more people believe it is just a writer’s self-serving indulgence, even sloth, that is at work—even in a writer who has penned untold full length, complex novels. Many naysayers point to any other profession and claim these other professions, say pharmacist, bookstore owner, book reviewer, bank teller, even journalist never cry “blocked” and, I presume then, they believe no person in any other profession has ever quit, given up or in, lost days or weeks due to forces within their craniums, had love and hate drive them from a full day’s work or a divorce, the birth of a child, the death of a child, the loss of a job or health..That no journalist ever missed a deadline, no bookstore owner ever closed up shop or the fight against the big box stores and Wal-Mart—forces outside one’s control.

Regardless, there is more than scant evidence and anecdotes about writer’s block that it also occurs with lyricists, poets, and any creative writing arena. If you disbelieve it, Google it. Here below are a handful of the reams of pages on the ‘malaise of the artistic mind which may actually differ from the mind of a McDonald’s worker, a journalist, a shopkeeper, or a news anchor woman; it may be the same difference one finds in a student who can and does complete an Independent Study project and one who is absolutely incapable of completing work wherein s/he has to craft the project, determine its every part and the sum of all, its every parameter from beginning to end with no guarantees of success or payment or heat for the night or pension or percentage or anything.

FROM GOOGLE – selected from hundreds of pages:

1. Writer's Block -- Practical Tips for Beating Your Writer's Block

Though some people say that writer's block doesn't actually exist, the fact remains that most writers have trouble with writer's block at some point in ...

fictionwriting.about.com/od/writingroadblocks/tp/block.htm - Cached - Similar

2. News results for writer's block


Gigwise

Pete Wentz : Pete Wentz suffered writer's block after Mowgli's birth‎ - 1 day ago

Fall Out Boy member Pete Wentz has revealed that after his son Bronx Mowgli was born last November he was unable to write a song for six months. ...

Entertainment and Showbiz! - 41 related articles »


3. Book results for writer's block

Writer's block: and other problems of the pen - by Jenna Glatzer - 250 pages

Writer's Block: The Cognitive Dimension - by Mike Rose - 160 pages

Writer's block: two one act plays - by Woody Allen - 75 pages

4. Image results for writer's block

- Report images



Books From Wikipedia, the free encyclopedia

Jump to: navigation, search

For other uses, see Writer's block (disambiguation).

Writer's block is a condition, associated with writing as a profession, in which an author loses the ability to produce new work. The condition varies widely in intensity. It can be trivial, a temporary difficulty in dealing with the task in hand. At the other extreme, some "blocked" writers have been unable to work for years on end, and some have even abandoned their careers.

Contents

[hide]

• 1 Causes of writer's block

• 2 Notable blocked writers

• 3 Writer's block in Music

• 4 Writer's block as depicted in other media

• 5 References

• 6 External links


[edit] Causes of writer's block

Writer's block may have many causes. Some are essentially creative problems that originate within an author's work itself. A writer may run out of inspiration. A project may be fundamentally misconceived, or beyond the author's experience or ability. (A fictional example can be found in George Orwell's novel Keep The Aspidistra Flying, in which the hero Gordon Comstock struggles in vain to complete an epic poem describing a day in London: "It was too big for him, that was the truth. It had never really progressed, it had simply fallen apart into a series of fragments.") [1]

Other blocks, especially the more serious kind, may be produced by adverse circumstances in a writer's life or career: physical illness, depression, the end of a relationship, financial pressures, a sense of failure. The pressure to produce work may in itself contribute to a writer's block, especially if he is compelled to work in ways that are against his natural inclination, i.e. too fast or in some unsuitable style or genre, and he or she is not willing to adapt. In some cases, writer's block may also come from feeling intimidated by a previous big success, the creator putting on him/herself a paralyzing pressure to find something to equate that same success again. The writer Elizabeth Gilbert, reflecting on her post-bestseller prospects, proposes that such a pressure might be released by interpreting creative writers as "having" genius rather than "being" a genius [1]. In George Gissing's New Grub Street, one of the first novels to take writer's block as a main theme, the novelist Edwin Reardon becomes completely unable to write and is shown as suffering from all those problems. [2]

Recently, the writer and neurologist Alice W. Flaherty has argued that literary creativity is a function of specific areas of the brain, and that block may be the result of brain activity being disrupted in those areas. [3]

[edit] Notable blocked writers

Well-known writers who have suffered from block include George Gissing, Samuel Coleridge, Ralph Ellison, Joseph Mitchell and F. Scott Fitzgerald. Writers who overcame block and published new work after a hiatus of decades include Harold Brodkey, whose novel The Runaway Soul appeared some 30 years after it was first projected, and Henry Roth, whose first novel, Call It Sleep, was published in 1934; his second, Mercy Of A Rude Stream, did not appear until 1994.

[edit] Writer's block in Music

The album Black Clouds & Silver Linings by the progressive metal band Dream Theater contains a song called "Wither", which is about the fear of having writer's block suffered by the guitar player of the band John Petrucci. It is said that the songs in this album are about personal experiences.

[edit] Writer's block as depicted in other media

In works where writers appear as characters, writer's block has often been shown as part of the story.

This is an incomplete list, which may never be able to satisfy certain standards for completion. You can help by expanding it with sourced additions.

• 8½

• Adaptation

• Ask the Dust

• Apur Sansar (The World of Apu)

• Bag of Bones

• Barton Fink

• Californication

• Deconstructing Harry

• El Goonish Shive

• Finding Forrester

• George Lucas in Love

• I Capture the Castle

• JONAS

• Kaiyoppu

• Leaving Las Vegas

• October Road

• The Lost Weekend

• Masters of Horror: The Black Cat

• Meenaxi: A Tale of Three Cities

• Misery

• Quills

• Read or Die

• Secret Window

• Sex and Lucia

• Shabd

• Shakespeare in Love

• Stranger than Fiction

• Swimming Pool

• Sylvia

• The Golden Notebook

• The Shining

• Throw Momma from the Train

• Woman on the Beach

• Wonder Boys

[edit] References

1. ^ George Orwell, Keep The Aspidistra Flying, Chapter 2.

2. ^ George Gissing, New Grub Street.

3. ^ Joan Acolella, "Blocked: why do writers stop writing?, The New Yorker, June 14 2004.

[edit] External links

• Psychology of Writing & Revising

Retrieved from "http://en.wikipedia.org/wiki/Writer%27s_block"

Categories: Writing

But still some will adamantly deny the existence of this nebulous gadfly of a disorder that comes and goes, and many of these same people will accept that a writer may have a Muse or may Channel some force from beyond. I leave it up to you, but it has been my experience that those who have never suffered a serious, long-running bout with the Block may well not understand J. Alfred Prufrock’s disconnect with the world either.

I invite you to leave a comment, no matter which side of the discussion you fall or stand on.

My latest e-book is 160,000 words, divides into three books in one and Children of Salem saw many years of being a blocked book and fitting it should hold a curse on it as it details the terrors of a Witch Hunt and subsequent trials, all the while a devil called Block whispering in my ear that I was incapable of crafting this complex story, and yet readers call the control of the material nothing short of genius – enough to make even a jaded old writer blush pink.

Happy Blockless Writing, and do leave a comment for me!

Rob Walker

http://www.robertwalkerbooks.com/

http://acmeauthorslink.blogspot.com/

http://www.myspace.com/robertwwalkerbooks.com

"Dead On takes the reader's capacity for the imagination of horror to stomach turning depths, and then gives it more twists than a Georgia backroad that paves an Indian trail." - Nash Black